<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>EAPro Inc&#187; Detroit music</title>
	<atom:link href="http://www.eapro.net/tag/detroit-music/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.eapro.net</link>
	<description>Innovations in Transformative Music &#38; Media</description>
	<lastBuildDate>Mon, 30 Jan 2012 20:57:22 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1.3</generator>
		<item>
		<title>Detroit Producers Rule</title>
		<link>http://www.eapro.net/2011/06/11/detroit-producers-rule/</link>
		<comments>http://www.eapro.net/2011/06/11/detroit-producers-rule/#comments</comments>
		<pubDate>Sat, 11 Jun 2011 15:12:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[BLAC Detroit Magazine]]></category>
		<category><![CDATA[Nadir]]></category>
		<category><![CDATA[The Music Biz]]></category>
		<category><![CDATA[Brandon Williams]]></category>
		<category><![CDATA[Carl Craig]]></category>
		<category><![CDATA[Denaun Porter]]></category>
		<category><![CDATA[Detroit music]]></category>
		<category><![CDATA[J. Nadir Omowale]]></category>
		<category><![CDATA[Mr. Porter]]></category>
		<category><![CDATA[Nadir Omowale]]></category>
		<category><![CDATA[Nick Speed]]></category>
		<category><![CDATA[Pirahnahead]]></category>
		<category><![CDATA[Sabrina Underwood]]></category>

		<guid isPermaLink="false">http://eapro.net/?p=625</guid>
		<description><![CDATA[For decades, Detroit has maintained  arguably the most influential music scene in the country. Yes, awesome  musicians, incomparable vocalists and mesmerizing performers learned  everything they knew here. But this city’s influence on music is  attributable not only to the iconic singers whose names we all know.
The  D is also musically [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.blacdetroit.com/BLAC-Detroit/June-2011/Detroit-Producers-Rule/" target="_blank"><img class="alignleft" style="margin: 5px;" src="http://www.blacdetroit.com/BLAC-Detroit/June%202011/Brandon-at-board-SA.jpg" alt="" width="200" height="304" /></a>For decades, Detroit has maintained  arguably the most influential music scene in the country. Yes, awesome  musicians, incomparable vocalists and mesmerizing performers learned  everything they knew here. But this city’s influence on music is  attributable not only to the iconic singers whose names we all know.</p>
<p>The  D is also musically influential because of the people you don’t see.  Detroit has contributed some of the most innovative and gifted music  producers on the planet.</p>
<p>From early <a href="http://www.motown.com/">Motown</a> staff producers like Smokey Robinson and Norman Whitfield, to funk  maestro transplant George Clinton, to techno pioneers Juan Atkins,  Derrick May and Kevin Saunderson, to rock legend Don Was, to hip hop  genius J Dilla—these and other local producers have set the global  standard for quality, creativity, musicality and innovation.</p>
<p>Whether  or not lovers of soul, gospel, R&amp;B, hip hop, jazz or electronica  know it, producers from Detroit consistently reshape and reinvent music.  Year after year, they are leaders in the development of new sounds that  resonate with music fans around the world.</p>
<p style="text-align: left;">Because the nature of  record production is behind the scenes, producers tend to be unsung  heroes. They are often more responsible for the sound of a hit song than  the artist whose voice is on the record, but their contributions may go  unrecognized by the general public.</p>
<h3 style="text-align: left;"><a href="http://www.blacdetroit.com/BLAC-Detroit/June-2011/Detroit-Producers-Rule/" target="_blank">READ MORE AT BLACDETROIT.COM</a></h3>
<p style="text-align: left;"><a href="http://www.blacdetroit.com/BLAC-Detroit/June-2011/Detroit-Producers-Rule/" target="_blank"><br />
</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.eapro.net/2011/06/11/detroit-producers-rule/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Covering the Sound of BLAC Detroit</title>
		<link>http://www.eapro.net/2010/02/02/covering-the-sound-of-blac-detroit/</link>
		<comments>http://www.eapro.net/2010/02/02/covering-the-sound-of-blac-detroit/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 15:08:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[EAPro News]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Nadir]]></category>
		<category><![CDATA[The Music Biz]]></category>
		<category><![CDATA[BLAC Detroit]]></category>
		<category><![CDATA[David Blair]]></category>
		<category><![CDATA[Detroit]]></category>
		<category><![CDATA[Detroit music]]></category>
		<category><![CDATA[Detroit sound]]></category>
		<category><![CDATA[Latin Jazz]]></category>
		<category><![CDATA[Lola Morales]]></category>
		<category><![CDATA[Nadir Omowale]]></category>
		<category><![CDATA[Pathe Jassi]]></category>
		<category><![CDATA[Senegalese music]]></category>
		<category><![CDATA[urban folk]]></category>

		<guid isPermaLink="false">http://eapro.net/?p=402</guid>
		<description><![CDATA[EAPro's Nadir Omowale is a featured music columnist for BLAC Detroit magazine (formerly African American Family). Since January 2009 he has written about some of the Motor City's best up and comers, and has penned features about the Motown sound and John Legend. ]]></description>
			<content:encoded><![CDATA[<p><a href="http://blacdetroit.com/" target="_blank"><img class="size-full wp-image-404 alignleft" style="margin: 5px;" title="blac_legend450" src="http://eapro.net/wp-content/uploads/2010/02/blac_legend450.jpg" alt="BLAC Detroit, John Legend, Nadir Omowale" width="450" height="595" /></a></p>
<p>EAPro&#8217;s Nadir Omowale is a featured music columnist for BLAC Detroit magazine (formerly African American Family). Since January 2009 he has written about some of the Motor City&#8217;s most notable veterans and its most promising up and comers. He&#8217;s also penned features about the unsung heroes of Motown and Grammy winner John Legend.</p>
<p>Click below for a sampling of Nadir&#8217;s writings (in PDF format).</p>
<p><a href="http://distortedsoul.net/writings/BLAC_0210_JohnLegend.pdf" target="_blank">FEBRUARY 2010 Cover Story:<br />
John Legend &#8211; &#8220;Star Light&#8221;</a></p>
<p><a href="http://distortedsoul.net/writings/BLAC_Blair.pdf" target="_blank">JANUARY 2010 SOUND:<br />
David Blair  &#8211; &#8220;Blairing Urban Folk&#8221;</a></p>
<p><a href="http://distortedsoul.net/writings/BLAC_0909_LolaMorales.pdf" target="_blank">SEPTEMBER 2009 SOUND:<br />
Lola Morales &#8211; &#8220;The Melange of Lola Morales&#8221;</a></p>
<p><a href="http://distortedsoul.net/writings/BLAC_1009_PatheJassi.pdf" target="_blank">OCTOBER 2009 SOUND:<br />
Pathe Jassi &#8211; &#8220;Son of Senegal&#8221;</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.eapro.net/2010/02/02/covering-the-sound-of-blac-detroit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

