Kenya Moore – Creating An Empire

Actress, producer Kenya Moore is more than just a pretty face

By J. Nadir Omowale
Originally Published in Ambassador Magazine

“I think any attractive woman in any field is always going to be underestimated.

”Kenya Moore speaks from experience. The voluptuous hazel-eyed Detroit native is a former Miss Michigan and in 1993 was crowned Miss USA. She appears in movies (Waiting To Exhale, I Know Who Killed Me) and on television shows (Girlfriends, The Jamie Foxx Show). Her bikinied body and stunning features regularly adorn the covers of men’s magazines and fashion publications.

But Kenya Moore is much more than a beautiful package. She is a business executive, an author, an entrepreneur, and a philanthropist. Beneath that curvaceous, chocolate exterior lies a bright, intelligent, funny, and driven woman who knows what she wants and isn’t afraid to use what she’s got to get it.

“People tend to discount a woman’s intelligence if she’s beautiful, and I’m no different,”says Moore.“I feel great that people find me attractive, but the challenge is always proving the stereotype to be false.”

Raised by her grandmother, Moore attended Detroit’s Cass Technical High School. Kenya loved to perform, and studied dance. She was a member of the school’s dance team and fondly recalls performing at ballgames.

Moore’s pageant career began when she and some friends entered the Miss Black Star talent pageant for girls age 13 to 16, where Moore took first runner up. “Just for the record,” she advises, “singers always trump dancers.You can never beat a good singer! It’s just a rule of the world.”

Moore kept entering pageants, and started winning. The more prestigious the pageant, the better the rewards, including cash prizes, scholarships, and even a car.

Pageants also forced Moore to improve her communication skills, overcome any fears she had of public speaking, and polish her overall presentation, which, she says, helped her become the woman she is today.

Modeling and acting were a natural progression for Moore after her reign as Miss USA, but she entered a Hollywood that is highly political and notorious for its lack of decent roles for women of color. “What I learned is that the acting world is a business, and most of the time the best person doesn’t get the job,”says Moore.“It always has something to do with name value, or the relationship the person has with the casting director, or the producer, or the director, or the studio … It rarely is about the best person who shows up at the audition.”

So Moore decided to do something different.“I didn’t like my career path, and I felt a lack of control,”she reveals. She began to set her own course in 2000 as associate producer of the independent film Trois, which became one of the highest grossing African-American movies of the year. She has produced several other projects over the last decade and hasn’t looked back.

Moore is very enthusiastic about her latest production, The Confidant, which finds the actress/producer starring alongside Boris Kudjoe (Love & Basketball, Soul Food), rapper David Banner, Asian sex symbol Bai Ling (The Crow), and Billy Zane (Titanic).

The suspense/thriller was written and directed by Alton Glass, who Moore met at the American Black Film Festival where both were nominated for best film. Neither of them won, but after seeing Glass’ horror film, Marco Polo, Moore was determined to work with him.

“What I loved the most about the Confidant script was there was no reference to color. We could have had any ethnicity play any role, and it would’ve worked. I knew that the script was so powerful, I could get the cast that I wanted.”

Not content with just acting, modeling, and producing, Moore is also passionate about The Kenya Moore Foundation, which provides scholarships to underprivileged girls at Moore’s alma mater, Cass Tech.“I look for girls who have had a difficult time in school,”she explains.“One that may have gone from a solid B average to maybe a C minus, struggling with emotional issues or just having a hard time in life in general. It’s basically telling them, ‘Look. You can get your life together, but you’ve got to get an education.’For me it’s just inspirational.‘Here is something that can help you get to where you want to be in life.’”

Moore credits much of her tenacity, her toughness, and her “hustler mentality” to her upbringing in Detroit.“I’m gonna get it done no matter what,”she asserts.“I’m not gonna hurt anybody to do it, but I’m gonna get it done, and no one can tell me no.

“I attribute those aspects of my personality directly to Detroit, because without that basic knowledge and education from street to school, I wouldn’t be who I am.”

Moore Vision Media

Covering the Sound of BLAC Detroit

BLAC Detroit, John Legend, Nadir Omowale

EAPro’s Nadir Omowale is a featured music columnist for BLAC Detroit magazine (formerly African American Family). Since January 2009 he has written about some of the Motor City’s most notable veterans and its most promising up and comers. He’s also penned features about the unsung heroes of Motown and Grammy winner John Legend.

Click below for a sampling of Nadir’s writings (in PDF format).

FEBRUARY 2010 Cover Story:
John Legend – “Star Light”

JANUARY 2010 SOUND:
David Blair – “Blairing Urban Folk”

SEPTEMBER 2009 SOUND:
Lola Morales – “The Melange of Lola Morales”

OCTOBER 2009 SOUND:
Pathe Jassi – “Son of Senegal”

4THEATRSAKE Brings Social Justice Theatre to Detroit with In The Blood

drama4change_cropOn January 8-10, 2010, experimental Detroit theater company 4THEATRSAKE stages a unique presentation of In The Blood. “Poverty exotica” rules Pulitzer Prize-winning playwright Suzan Lori-Parks’ modern day adaptation of The Scarlet Letter.

This urban theater project is a collaboration between 4TheatrSake, the 1440 Collective, the Virgil H. Carr Cultural Arts Center, the Cedi Collection, Detroit film-maker Ryan Myers and Plowshares Theater Company. Directed by Wyldchild L. Chemist, the soundtrack for this staging features original music by EAPro’s Nadir Omowale.

Written like final round slam poetry, In the Blood keeps it real in the “here and now.” Hester is a homeless single mother who is devoted to her five children, and struggles to find ways to feed them. Five actors play her five young treasures. The same actors also play the adults who help or hinder Hester in her quest to “get a leg up”. Lovingly comical moments are juxtaposed by the harsh world of poverty in this modern masterpiece.

The idea for the Detroit staging is to provide an all-inclusive social theater experience where audiences will witness compelling performances by 4Theatrsake’s actors as they illustrate the challenges faced by Hester, and the characters that surround her. Following the performance, the actors will remain on-stage (in character) to allow the audience a chance to react to and ask questions about the story they’ve just witnessed. Moderated by Oneita Jackson of O Street, this after-drama forum will focus on poverty, disease, human trafficking, race in a post-racial society, and what we can do to bring change.

The cast and crew of In The Blood represent Detroit artists from diverse backgrounds. Actor, director, writer Wyldchild L. Chemist was recently invited to join Plowshares Theatre Company’s new ensemble as an artistic associate. He will be participating in The Kennedy Center’s fellowship program for Theater Capacity Building in Culturally-Specific Organizations.

Named one of TIME magazine’s “100 Innovators for the Next New Wave,” Suzan-Lori Parks is one of the most exciting and acclaimed playwrights in American drama today. She is the first African American woman to receive the Pulitzer Prize in Drama for the Broadway hit Topdog/Underdog and is a MacArthur “Genius” Award recipient, among her many other honors.

In The Blood by Suzan Lori-Parks
Virgil H. Carr Cultural Arts Center
311. E. Grand River
Detroit, Michigan

Performance Times:
Friday, January 8, 2010 – 8pm
Saturday, January 9, 2010 – 4pm & 8pm
Sunday, January 10, 2010 – 4pm
$40 admission
BUY TICKETS NOW

(Your treat for reading the post all the way through: Use promo code “A” to save $15 off the ticket price!)

Motor Detroit Magazine: Promoting Detroit’s Creative Lifestyle

The mission of MOTOR DETROIT MAGAZINE, inspired by the lifestyle of its predecessor, the world renowned Motor Lounge, is to promote and illustrate the essence of Detroit, through its elements, events and the circumstances and situations that drive it.

Ingray

MOTOR DETROIT MAGAZINE will work as an extension to the world to spotlight the careers of both, the up-and-coming, as well as the established artist and talent, in all mediums and forms. The MOTOR DETROIT MAGAZINE reader is as diverse and cerebral as what the magazine represents.

The publishers of MOTOR DETROIT MAGAZINE chose EAPro’s J. Nadir Omowale to create its first feature story and video profile of Detroit rockers Ingray.

Click HERE to visit Motor Detroit Magazine

INGRAY: Immigrant’s Song

Words and Video by J. Nadir Omowale

If you really know Detroit, you’ll understand how fitting it is that a band with Eastern European roots like INGRAY is representing this city in the international Hard Rock Cafe Ambassadors of Rock competition. This region is nothing if not multi-cultural. From its native American ancestry, to its colonized occupation by the French and British; to its eventual establishment as a US industrial magnet, Detroit has always been a landing point for those from the rest of the world in search of a better quality of life. Such was the case with INGRAY.

Having received national attention as musicians and artists in their native land of Bosnia, it could have been quite easy for guitarist Nermin Selmanovic, bassist Haris Cizmic and lead vocalist Adisa to stay there and have respectable music careers. But the opportunity to come west availed itself in 1999, and in 2000 the three migrated to North America, with Selmanovic landing in Canada and Cizmic and Adisa coming to Detroit. Selmanovic would join the two in Detroit four years later. The trio formed a band and over the next 4 years experimented with several band mates and group variations. But in 2008, drummer and Dearborn native Dave Dupuie join the collective. His musical instincts and tremendous range enhanced the quality of play by allowing Selmanovic, Cizmic and his fiery new vocalist to test their respective ranges and experiment without fear. With the sound now stabilized, the rhythm grew and a new energy was spawned. INGRAY was born.

INGRAY: Immigrant’s Song from Michael Leser on Vimeo.

While a lot of attention is paid to the Bosnian heritage of 3/4 of the band, Adisa is quick to point out that “Dave’s influence on the band has been amazing”. His band mates were impressed with how easily he took their musical ideas and propelled them to another place. “The ethnic flavor comes out in a lot of the melodies and structures of the songs,” Dupuie says. “I love playing the style. It’s fun for me.”

The band fuses Eastern European and world music styles with grimy Detroit rock and roll and a touch of the blues to create a fresh and powerful sound.

“I think there is a common bond,” Selmanovic explains, “but we listen to different music so obviously, that the mix is not going to’ be unified. It’s going to be the mix of all types of genres, all types of world music. But I think when they all come together, you get INGRAY.” He continues, “Really it’s paying tribute to everything we’ve learned, everything we’ve seen, everything we’ve heard, and to the new place where we’re going with this music.”

That sense of being in “another place” is the inspiration for the title of INGRAY’s first album, Away. “It’s both physical and metaphysical,” Adisa says. “We came from someplace else, and we feel that part of our home is there [in Bosnia], and part of it is here [in Detroit]. When I go home to visit family, I feel like I’m away from here. When I’m here, I’m away from there.”

The band’s Ambassador’s of Rock victory couldn’t have come at a more opportune time. They will be playing their CD release party on the same Hard Rock Cafe stage where they won the battle of the bands. “For us,” Nermin laughs, “It’s just going to be great to get this off our backs, so we can record the second album, because we already have it ready.” INGRAY hopes this splash of national attention and the new album will position them for a return to Europe, this time as a band. Their video “Killing Time” and other demos are getting airplay back home in Bosnia and in other parts of the continent.

“People over there are interested in our work here, and what we’ve accomplished and where we’re going with our music, which is really cool,” says Cizmic. “It makes us feel special about our music and makes us feel appreciated, even though we’re so far away. “

“I think what they appreciate the most,” adds Selmanovic, “is that we are not ashamed of where we come from. We mention it at every opportunity. We write songs like “Sarajevo”, which is the capitol of Bosnia. And a lot of [our music] is dedicated to where we come from.”

But INGRAY definitely isn’t stuck in the past. They are looking forward. “Even now,” Adisa concludes, “we keep learning. It’s always a journey. Just keep on traveling, learning and trying to reach another level, always.”

INGRAY’s CD Release Party is Thursday, May 28, 2009 at Detroit’s Hard Rock Café Doors open at 8PM. 45 Monroe Street Detroit, Michigan 48226. For more information about INGRAY, visit www.ingrayband.com or www.myspace.com/ingrayband.

J. Nadir Omowale is a musician, producer and freelance writer based in Detroit, Michigan. Check out his writing and his music at www.distortedsoul.com.

WAE Silent Hero

April 25 – Khary WAE Frazier was one of 18 individuals and groups honored at the Silent Heroes Night Awards for community service and activism.

Giving a different meaning to hip-hop, Frazier is using the musical genre to bring attention to issues affecting young people.”

Congratulations, WAE!

Click HERE for more info about the Silent Heroes Night Awards